VII - Molto Cantato - Giacinto Scelsi - Alessandra Ammara - Preludi, Serie I - IV (SACD, Album)


Download VII - Molto Cantato - Giacinto Scelsi - Alessandra Ammara - Preludi, Serie I - IV (SACD, Album)
2009
Label: Arts Music - 47721-8 • Format: SACD Hybrid, Album • Country: Germany • Genre: Classical • Style: Modern


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9 thoughts on “ VII - Molto Cantato - Giacinto Scelsi - Alessandra Ammara - Preludi, Serie I - IV (SACD, Album)

  1. By following her debut album of the Ballades and other pieces by Frédéric Chopin with the Preludes, Series I-IV of Giacinto Scelsi, pianist Alessandra Ammara takes a big risk that most of her fans may not follow her. The refined romanticism of Chopin does not necessarily lead one to think of Scelsi's eccentric brand of modernism, and listeners who appreciate the smoothness of the former may 9/
  2. This album has an average beat per minute of BPM (slowest/fastest tempos: / BPM).. BPM Profile Preludi, Serie I-IV (Alessandra Ammara). Album starts at BPM, ends at BPM (+0), with tempos within the -BPM range. (Try refreshing the page if dots are missing).
  3. The vocal music of the late Italian composer Giancinto Scelsi is even more obtuse, more challenging, and more profound than his many instrumental works -- some of which appear in this program. This series of pieces, the Tre Canti Popolari, is the scandalous companion for the Tre Canti Sacri.7/
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  5. Alessandra Ammara - Ascolta Alessandra Ammara su Deezer. Con la musica in streaming su Deezer puoi scoprire più di 56 milioni di brani, creare le tue playlist e condividere i .
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  7. Oct 28,  · Giacinto Scelsi, Quattro Illustrazioni sulle metamorfosi di Vishnu (). I. Shesha – Shayi Vishnu II. Varaha – Avatara III. Rama – Avatara IV. Krishna – Avatara.
  8. May 26,  · Giacinto Scelsi (): Sonata N°2 per pianoforte (). I. Con estremo impeto, agitatissimo II. Lento, meditativo [] III. Vivace e tempestoso [] Marianne Schroeder, pianoforte.
  9. Giacinto Scelsi (ur. 8 stycznia w La Spezia, zm. 9 sierpnia w Rzymie) – włoski kompozytor i poeta. Studiował kompozycję u Ottorino Respighiego, Alfredo Caselli, Giacinta Sallustia w Rzymie, Egona Koehlera w Genewie, od roku w Wiedniu zaczął zgłębiać tajniki dodekafonii, uczył się wówczas u Waltera Kleina.

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