Section 17 - Rondane Kwartet - Canto Ostinato (CD, Album)


Download Section 17 - Rondane Kwartet - Canto Ostinato (CD, Album)
2010
Label: Rondane Kwartet - RK01 • Format: 2x, CD Album • Country: Netherlands • Genre: Classical • Style: Contemporary


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8 thoughts on “ Section 17 - Rondane Kwartet - Canto Ostinato (CD, Album)

  1. Sep 01,  · Check out Canto Ostinato by Rondane Kwartet on Amazon Music. Stream ad-free or purchase CD's and MP3s now on diothabatwallpulcirl.reelsrespokkbuttliconsnamucuhyddiavi.co Buy MP3 Album $ Add to MP3 Cart Canto Ostinato, Section Listen Now $ In MP3 cart View MP3 Cart 6. Canto Ostinato, Section Canto Ostinato, Section
  2. Apr 14,  · 50+ videos Play all Mix - Simeon Ten Holt - Canto Ostinato for Synthesizers Section 17 YouTube Simeon ten Holt ‎- Canto Ostinato () - Original Live Recording - Duration:
  3. Simeon ten Holt was the official sponsor of the record of Canto Ostinato by the Dutch Rondane Quartet published in [3] Versions using other instruments than piano include: solo organ (performed by Aart Bergwerff in ), solo harp (by Assia Cunego, Italy, in ) and solo marimba (Peter Elbertse, ).
  4. CD 1 Canto Ostinato for synthesizers Sandra & Jeroen van Veen, keyboards/synthesizers Section 01 Section 08 Section 17 Section 20 Section 25
  5. Dutch composer Simeon ten Holt's massive Canto Ostinato, written in the s, was one of the first examples of European minimalism, and like much American minimalism, it was a reaction to the complexities of academic serialism. Ten Holt professes to have been astonished when this tonal, smoothly rhythmic, melodious music started flowing out of him, but he figured out how to 9/
  6. Jul 08,  · Complete Live Canto Ostinato concert by Rondane Kwartet on four Fazioli Pianoforti. Complete Live uitvoering van Canto Ostinato door het Rondane Kwartet op vier Fazioli Pianoforti.
  7. View credits, reviews, tracks and shop for the Vinyl release of Canto Ostinato on Discogs.
  8. Canto Ostinato took shape as a work in progress at the piano. The score is laid out as a route for the performers to take, using the so-called “drift parts” at will. The number of players is undetermined, as is the total length and the number of repetitions of the various sections on which the composition is built.

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